Jacques-Louis DavidFrench b.Aug. 30, 1748, Paris d.Dec. 29, 1825, Brussels | |||
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The Grief of Andromache Gemälde ID:: 62513 Siehe Galerie in Schweden |
The Grief of Andromache 1782 Black chalk, pen and ink with gray wash, 290 x 246 mm Mus?e du Petit Palais, Paris This is a preparatory drawing for his painting, in which David borrowed elements from the works of Nicolas Poussin and the reliefs of antique sarcophagi. Author: DAVID, Jacques-Louis Title: The Grief of Andromache Form: graphics , 1801-1850 , French , study 1782_Black_chalk,_pen_and_ink_with_gray_wash,_290_x_246_mm_Mus?e_du_Petit_Palais,_Paris_This_is_a_preparatory_drawing_for_his_painting,_in_which_David_borrowed_elements_from_the_works_of_Nicolas_Poussin_and_the_reliefs_of_antique_sarcophagi._Author:_DAVID,_Jacques-Louis_Title:_The_Grief_of_Andromache_Form:_graphics_,_1801-1850_,_French_,_study |
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Portrait of Marie Gemälde ID:: 62869 Siehe Galerie in Schweden |
Portrait of Marie 1769 Oil on canvas, 66 x 54 cm Musee National des Beaux-Arts, Algiers As with many other young artists, David used his close relatives as models for his first portraits. As well as his uncle Buron, he also painted his aunt, Marie-Josephe, and her daughter, Marie-Franeoise, who had supported his wish to become a painter. Both paintings show a directness of approach and a sympathetic contact between artist and sitter that anticipate David's later successes in portraiture. Artist: DAVID, Jacques-Louis Title: Portrait of Marie-Franeoise Buron , painting Date: 1801-1850 French : portrait 1769_Oil_on_canvas,_66_x_54_cm_Musee_National_des_Beaux-Arts,_Algiers_As_with_many_other_young_artists,_David_used_his_close_relatives_as_models_for_his_first_portraits._As_well_as_his_uncle_Buron,_he_also_painted_his_aunt,_Marie-Josephe,_and_her_daughter,_Marie-Franeoise,_who_had_supported_his_wish_to_become_a_painter._Both_paintings_show_a_directness_of_approach_and_a_sympathetic_contact_between_artist_and_sitter_that_anticipate_David's_later_successes_in_portraiture._Artist:_DAVID,_Jacques-Louis_Title:_Portrait_of_Marie-Franeoise_Buron__,_painting_Date:_1801-1850_____French_:_portrait |
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Hector Gemälde ID:: 62870 Siehe Galerie in Schweden |
Hector Oil on canvas, 123 x 172 cm Musee Fabre, Montpellier David discovered the dramatically lit and forceful canvases of Caravaggio and his followers, and his full-length male nude and semi-nude studies such as Hector of 1778 and Patroclus of 1780 show how he had begun to use light and shadow to give weight and density to his figures. Artist: DAVID, Jacques-Louis Title: Hector , painting Date: 1801-1850 French : other Oil_on_canvas,_123_x_172_cm_Musee_Fabre,_Montpellier_David_discovered_the_dramatically_lit_and_forceful_canvases_of_Caravaggio_and_his_followers,_and_his_full-length_male_nude_and_semi-nude_studies_such_as_Hector_of_1778_and_Patroclus_of_1780_show_how_he_had_begun_to_use_light_and_shadow_to_give_weight_and_density_to_his_figures._Artist:_DAVID,_Jacques-Louis_Title:_Hector__,_painting_Date:_1801-1850_____French_:_other |
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Count Potocki Gemälde ID:: 62871 Siehe Galerie in Schweden |
Count Potocki 1781 Oil on canvas, 304 x 218 cm Muzeum Narodowe, Warsaw David received a lucrative commission for a grand portrait of a Polish nobleman, Count Stanislas Potocki. Although begun in Rome, the painting was actually completed a little later in Paris. Potocki came from one of the most celebrated Polish families, and had recently become very wealthy thanks to his wife's dowry. He was also a scholar, and translated and commented on the work of Winckelmann. Obviously his portrait had to be impressive and suggestive of his status. Therefore David depicted him on horseback, subduing a skittish horse with consummate ease. David turned to the example of the great Baroque portraitist Anthony van Dyck to create a work that was similar in scale and impact. Artist: DAVID, Jacques-Louis Title: Count Potocki , painting Date: 1801-1850 French : portrait 1781_Oil_on_canvas,_304_x_218_cm_Muzeum_Narodowe,_Warsaw_David_received_a_lucrative_commission_for_a_grand_portrait_of_a_Polish_nobleman,_Count_Stanislas_Potocki._Although_begun_in_Rome,_the_painting_was_actually_completed_a_little_later_in_Paris._Potocki_came_from_one_of_the_most_celebrated_Polish_families,_and_had_recently_become_very_wealthy_thanks_to_his_wife's_dowry._He_was_also_a_scholar,_and_translated_and_commented_on_the_work_of_Winckelmann._Obviously_his_portrait_had_to_be_impressive_and_suggestive_of_his_status._Therefore_David_depicted_him_on_horseback,_subduing_a_skittish_horse_with_consummate_ease._David_turned_to_the_example_of_the_great_Baroque_portraitist_Anthony_van_Dyck_to_create_a_work_that_was_similar_in_scale_and_impact._Artist:_DAVID,_Jacques-Louis_Title:_Count_Potocki__,_painting_Date:_1801-1850_____French_:_portrait |
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Portrait of Jacques Gemälde ID:: 62872 Siehe Galerie in Schweden |
Portrait of Jacques Desmaisons 1782 Oil on canvas, 92 x 72 cm Albright-Knox Art Gallery, Buffalo After the death of his father following a pistol duel in December 1757, aged thirty-five, David was placed successively in the care of two uncles, Franeois Buron (1731-1818) and Jacques-Francois Desmaisons (c. 1720-1789), who were both architects and building contractors. Artist: DAVID, Jacques-Louis Title: Portrait of Jacques-Franeois Desmaisons , painting Date: 1801-1850 French : portrait Desmaisons_1782_Oil_on_canvas,_92_x_72_cm_Albright-Knox_Art_Gallery,_Buffalo_After_the_death_of_his_father_following_a_pistol_duel_in_December_1757,_aged_thirty-five,_David_was_placed_successively_in_the_care_of_two_uncles,_Franeois_Buron_(1731-1818)_and_Jacques-Francois_Desmaisons_(c._1720-1789),_who_were_both_architects_and_building_contractors._Artist:_DAVID,_Jacques-Louis_Title:_Portrait_of_Jacques-Franeois_Desmaisons__,_painting_Date:_1801-1850_____French_:_portrait |
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| Vorheriger Künstler Nächster Künstler | ||||||||||
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| Jacques-Louis David | ||||||||||
| French b.Aug. 30, 1748, Paris d.Dec. 29, 1825, Brussels | ||||||||||
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